$149
Film Labs 64 Pro is a DCTL-based film emulation system for DaVinci Resolve Studio, built around a streamlined five-node workflow. It gives users adjustable film stocks, print-film emulations, grain, density, bloom, halation, vignette, and finishing controls without relying on a fixed LUT-only workflow.
Film Labs 64 Pro is designed to replace rigid LUT workflows with a more flexible DCTL-based grading system inside DaVinci Resolve. The toolset is built around a five-node structure covering Rec.709 conversion, secondary corrections, creative look development, film texture, and finishing effects.
The Look section includes 10 film stocks and print-film emulations, including Kodak 5213, 5207, 5201, Ektachrome, Fuji 500T, 250D, 8532, and 8520, along with Kodak 2383 and Fuji 3513 print-film looks. Users can also add highlight and shadow tints to further shape the final color response.
The Texture node provides adjustable film grain, film density, bloom, halation, and vignette controls, while the final Scope Toolkit adds finishing options such as lens warping, edge blur, and aspect-ratio crops. Secondary controls for contrast, offset, saturation, and white balance are also consolidated into the workflow for faster grading.
Film Labs 64 Pro is designed for Rec.709-based pipelines and requires DaVinci Resolve Studio. A basic Rec.709 conversion is required on the first node, either through a CST, LUT, or Film Labs Transform 2.
5.0
2 reviews
Rob Englander
In my opinion Film Labs 64 has to be the easiest and fastest way to get an authentic, filmic look from DaVinci Resolve. An inexpensive, powerful and easy to use set of DCTLs that combine to produce beautiful cinematic emulations so much simpler and so much faster. Film Labs 64 reproduces the look of real film in the simplest workflow that I've seen. Five stars from me!
Patrik Martinkovič
As someone who handles the entire post-production process — from editing and color grading to final delivery — I've tried many tools. But Film Labs 64 truly stands out. The tones are rich and cinematic, the grain feels natural, and everything works seamlessly with DaVinci Resolve. For the price, the quality is unbelievable. This tool has found a permanent place in my workflow.
Feedback from creators using Film Labs 64.
As someone who handles the entire post-production process — from editing and color grading to final delivery — I've tried many tools. But Film Labs 64 truly stands out. The tones are rich and cinematic, the grain feels natural, and everything works seamlessly with DaVinci Resolve. For the price, the quality is unbelievable. This tool has found a permanent place in my workflow.
In my opinion Film Labs 64 has to be the easiest and fastest way to get an authentic, filmic look from DaVinci Resolve. An inexpensive, powerful and easy to use set of DCTLs that combine to produce beautiful cinematic emulations so much simpler and so much faster. Film Labs 64 reproduces the look of real film in the simplest workflow that I've seen. Five stars from me!
$149
Film Labs 64 Pro is a DCTL-based film emulation system for DaVinci Resolve Studio, built around a streamlined five-node workflow. It gives users adjustable film stocks, print-film emulations, grain, density, bloom, halation, vignette, and finishing controls without relying on a fixed LUT-only workflow.